Parallax Eden berlin mix (hi​​​-​​​res 24​​​/​​​96 2​​​.​​​0 with bonus hi​​​-​​​res 5​​​.​​​1 tracks)

parallax eden (the berlin remixes) is a dance remix of the Grammy-nominated parallax eden project that transports the listener to a place that’s both peaceful and energizing. It’s a unique project that’ll groove you in unique and contemplative ways.

Apple Music, Spotify, iTunes, Google Play & YouTube Music, Amazon, Pandora, Deezer, Tidal, Napster, iHeartRadio

BUY HERE … DMH supports Bandcamp, because its code is solid, ez to use and it rocks!
PLUS … you can now download the files in lossless 24/96 FLAC!

click here to read about the DMH production process

project info:

Electronic
Electronica/Downtempo
Alternative

Parallax Eden (Berlin Mix)
Uploaded: June 27, 2018
Release date: July 1, 2010

DK UPC: 840091706692

Innerbase (Berlin Mix)
Renaissance (Berlin Mix)
Serenitatis (Berlin Mix)
Lunacy (Berlin Mix)
Tranquility (Berlin Mix)

ISRC: QZDA51869379
ISRC: QZDA51869380
ISRC: QZDA51869381
ISRC: QZDA51869382
ISRC: QZDA51869383

Song Credits:

Music: David Miles Huber
Engineer: David Miles Huber
Mastering: David Miles Huber and Emiliano Caballero Fraccaroli
Additional engineer: Emiliano Caballero Fraccaroli
Additional engineer: Brux Callison
Additional engineer: Sterling Huber
Recording: Recorded in Seattle/WA/USA and Berlin/Deutschland
Recording: Ableton production and performance by DMH at nhow Hotel/Berlin/Deutchland
Mixing: Mixed in Seattle/WA/USA and at Galaxy Studios/Mol/Belgium
lunar landing dialog courtesy of the national aeronautics and space administration

Thank you:
Daniel Eric Butler (my husband, partner and best friend)
nhow Hotel and the folks at Soundfloor, Berlin
Dominik Trampf, Berlin
Everyone at Galaxy Studios, Mol, Belgium
Steinberg Media Technologies Gmbh (studio DAW – Nuendo)
Ableton AG (performance DAW – Live)
Universal Audio Inc. (powered DAW audio plug-ins)
PMC Speakers (professional studio monitors)
Steven Slate Audio Inc. (touch video monitors)
Zerodebug (TouchAble performance/studio application for the iPad)

tag keywords: David Miles Huber 51bpm chamberland parallax eden colabs electronic IDM uptempo downtempo grammy nominated surround 5.1 MRT modern recording techniques

Production notes:

So, I laid down acoustic drums over the groove/synth/loop drums on several of my upcoming projects. If there’s anything I’ve learned, it’s “stay clear of cymbals and even hi-hats when laying down the tracks … Like Zeph Sowers (below) says … they cloud and overpower an electronic mix … it’s just plain bad! Fortunately, I pretty much figured it out after the first song (which I miraculously saved my dubbing in drums from another song without cymbals and hat). Here’s what Zeph has to say …

Engineer Zeph Sowers on layering electronic and acoustic drum sounds

“If the predominant drums are electronic, then you don’t want your live kick drum to sound too fat on the bottom, so you may want to cut out some of those frequencies. Just so it’s more felt rather than being the main thing heard. And you don’t always need cymbals in an electronic drum set sound. TVOTR don’t use cymbals. They take up too much space in the mix. As soon as you add cymbals they cloud and color everything and take a lot of space. You want to leave space in that frequency range for other things. Cymbals fight too much for us. If we do cymbals beyond the hi-hat, we might overdub a ride or add a slowed down crash cymbal sample. When blending electronic and acoustic drums, you have to make sure all the drums are hitting together, if not, you will get flamming and lose the impact of both sets.”

Parallax Eden Bluray review:

As mentioned in its description, this release comes in three flavours, with four listening options (stereo Chill, stereo Berlin remix. 5.1 Berlin remix and 9.1 Auro 3D* Original mix). Last night I listened to the 5.1 Berlin mix and I was hooked within 30 seconds. So much so in fact, I got up, switched the lights off and went to that special place where there is no spoon i.e. the moment. DMH has been nominated for 4 separate Grammy’s for best multichannel mix, and if the rest of his music is like this, then goodness knows why he hasn’t won at least once because the surround mix is superb!

I then played the stereo Chill mix, which is more or less the same album, but without the uptempo grooves and I loved it just as much. I should add this album is perfect for late night listening because even the full-fat version is a long way away from what could be called club rave tempo; I dare say, it’s probably best described as chilltronica.

If you like electronic music and like to relax late at night, this is the one to buy…especially if you have a surround sound setup!

* If the appropriate hardware isn’t in place, the BDA outputs a 5.1 fold-down version of the 9.1 mix to make it compatible, so you don’t need an Auro 3D capable AVR to hear the Original mix in surround sound; albeit, in 5.1 instead of 9.1 surround sound.

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